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Heartbreak In (​(​Stereo​)​)

by Mollmaskin

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1.
The Same Ash 03:25
all of it, just like an ending dream with no belief, there is nothing only one, in the things that you have seen more than nothing the same fate reproduce it all again the same fate reproduce the fools again why does it have to be like this? what is true evil? if this is not? ashes everywhere, and an occasional blood stain on my brain until the same fate the same fate reproduce us all again the same we blinded through the war again the same ash spread throughout the world again
2.
Never Able 04:45
how are we to remember? i'm never able to keep the thread no matter how too thick all things aaaaaaaaaaaaaa remember aaaaaaaaaaaaaa black painted face spots, like black death makeup (make up my mind) aaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaa HOW ARE WE TO REMEMBER? what's outside our experience? never, able. never, able.
3.
the long shadow afterlife as all, as destiny, as duty, collective power minds on leash they see god in me jesus christ amygdala activated hide and seek within own minds the long shadow of jonestown
4.
how many ants on the meat-weight to stand a chance against the man? no mans eye, watered by the loss of ants life. acid, sweet blood on the floor. as a king, as nothing. image of human labour turned into an ants. to stand a chance against the man, it is work, work, WORK. image slowly turned into ghosts not by state of rest eternal
5.
Jennifer 06:07
jennifer, ditt rødhår brenner gule vitsa ut av ditt sinn
6.
Two Moods 02:28
the thousand wonders of a man, a split atom. his city decomposed, transformings stop – a mere phrase and two moods but he can still feel the sun what feels just like it the core of growth reflects upon, he who can not grow in a loop, in queue, until last breath repeats the phrase, then silence
7.
Halvtom Sjel 04:44
halvtom sjel i mager kropp rulle, på rust, på luft, på dekk. mot tidlause strender, elvebredden romlende klimaks, mot å dele med ender glemme seg sjøl, gi av det lille fylle halvtomt til halvfult støtte seg sjøl til utstøtthet ett i, i meg fraværet av deg støtte seg sjøl til utstøtthet i fraværet av deg
8.
Dirty Linen 03:14
for the boy in the window, biting on a thumb, dirty linen comes to mind for the girl in the window, opposite side, dirty linen comes to mind now, i covet the ground you walk upon i covet the ground you walk upon, covet the sun-lit shadow-laid curve i sit and watch you from afar, making you everything be not, become nothing you're everything i want you to be a moment
9.
sleeping, sleep, i slept, the sound dirty dishes, even dirtier words you hurt me thank god, i hurt you you hurt me turned out as a nightmare for us i dance you, just through the night creeping – crawling the dance of black snake me you hurt me turned out as a nightmare for us it turns out i don't think we'll dance through one more heartbreak in stereo turned out as a nightmare for us how many microphones to make it alright? in the city, i dance through the night through the city heartbreak in stereo, jogging on alcohol through you
10.
i'm spending my hours reflecting my physics seeing only heroes die in front of me not by my hand but as an reflection of my being blameless in the darkness no pity, nor regret hours cried into years surrounded by echoes of words one step closer, to heavenly peace just like John Lennon
11.
before we go to war, let me breath don't ever open the Pandora door let be breath we can go down, so easily can't you see, it is suffocating me heavy water flowing into this hollow tree this vessel that is sinking ship containing both you and me not only our enemy my dear buzzing war bee too spiteful blood-thirsty to see what i now see, so clearly revenge is throwing away the key to the lock of it all to the ending of circle of hurt dilute bitterness, the malice of the motherless find the common ground and go to war

about

The debut album from Mollmaskin, an album which combines folk, jazz, indie and progressive music.

Mollmaskin is the solo project of Anders Bjermeland, leader of the psychedelic adventurers Flashback Caruso. As Mollmaskin, Bjermeland operates alone, playing drums, piano, guitar, saxophone, flute, organ, Rhodes, bass, clarinet, synth, percussion and vocals. The result is a refreshing combination of folk, jazz, indie and progressive music, to create a striking sound - which is up there with the finest of the late-sixties Canterbury scene's artists.

"In essence, the debut of Mr. Mollmaskin is an impressive salute to the British jazz-prog-wave from the 60s and 70s, which is commonly known as the Canterbury sound. Bjermeland played almost all of the instruments himself, which is a remarkable achievement given the technical quality. ‘Heartbreak In ((Stereo))’ is an album of high musical quality"
—Metal.de

"‘Heartbreak In ((Stereo))’ is an album that conceals a combination of many elements — from progressive, jazz, folk, indie rock — while skilfully fusing a selection of ambitious material, to which it’s worth tuning our ears. I will be taken with this for a long time, and without exaggeration I give it 9 out 10"
—MLWZ

"The music has a wonderful, nearly indefinable retro sound that today could only have come out of Scandinavia. Early song-oriented Soft Machine is one reference point"
—Kinesis

"This 2015 debut is the sound of leaving the Nordic forest and entering Canterbury. Bjermeland’s warm-hearted vocals are wrapped in a starry-eyed and melancholic atmosphere, in this fantastic Nordic progressive album."
—Garden Shed

credits

released March 9, 2015

All songs written & performed by Anders Bjermeland.
Except 'Jennifer', written by Jean-Herve Paron & Gunter Wasthoff.
'Halvtom Sjel' & 'Jennifer' also feature Magnus Nygard Muldal (accordion) & Rhys Marsh (pedal steel guitar).

Recorded by Rhys Marsh & Anders Bjermeland.
Mixed & mastered by Rhys Marsh at Autumnsongs Recording Studio.

Cover photo by Gunnhild Handlykken Sylte.
Manipulated by Anders Bjermeland.
Design & inner photos by Rhys Marsh.

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Mollmaskin Vestnes, Norway

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